Synopsis:
Agency afforded by the compact portability of the Super 8 Camera explored here in guerilla constructivist camera technique. Like Dziga Vertov's Kino Eye with a terrible case of the head-spins, we are cast through the air and as the ground looms forward we smash into it again and again. The cobbles and the concrete resemble reconnaissance photography on a hundred Kamikaze flights. Who needs a Steadicam when we have the Zentri-Fuge?
Director: Katarina Peters