Ein Bananeninselbewohner bemerkt, dass sich Menschen mit einem Boot seinem Lebensraum nähern. Von dem Gedanken an die Fremden in Panik versetzt, beginnt er, seine Bananeninsel zu essen.
Drei Fragen an die Regie
1. Short Film has a unique way of telling stories and exploring themes. What is it that fascinates
you about the short format?
Caroline Schwarz: I am passionate about abstract and condensed images. And I feel a short format of film is the perfect format for that. You are almost required to work in abstraction, to bring something across in the
short time. I love that.
2. The program your film is selected for is called “Die lange Nacht des abwegigen Films”: What
connection do you see between your film and that title?
Caroline Schwarz: I have to say, that I like the english version “long night of weird shorts” way better, since I would translate the German Word “abwegig” with “unlikely”. Although, of course, I understand why my
film is considered 'unlikely' in the landscape with it's very comic-like, surreal approach, I find it
quite depressing, that the norm of film is rooted so deeply in naturalistic, social dramas. I feel that
film can be so much more than just realistic storytelling. I consider 'weird' on the other hand, to be a
badge of honour, that I connect to everything, that stands out, lets you pause and makes you think.
All films I like are weird to me.
3. What film has inspried you most to make films yourself and what part of it do you see in your
Caroline Schwarz: I am a big Fan of Roy Andersson and his four latest Features, like, „a pigeon sitting on a branch thinking about existence“. It inspires me, that he is treating film scenes like paintings and that he
creates films on a high-end level budget, that are not strictly motivated by a narrative. It's so
refreshing. I also adore Yorgos Lanthimos and especially „The Lobster“, which creates it's own
world outside of „sci-fi“ genre justifications. This is creative and entertaining to me. I want to see
something more than well written reality. I can have that by going outside. Both Andersson and Lanthimos have a very unique approach with film, which I still find very emotional and entertaining and not purely conceptional. And this is what I strive to do with my films as well. In my own way.
Animation: Jiha Jeon
Cast: Constantin Gerhards, Emre Cubat
Drehbuch: Caroline Schwarz
Kamera: Sebastian Lempe
Produktion: Caroline Schwarz
Regie: Caroline Schwarz
Sales Agent: Caroline Schwarz
Schnitt: Caroline Schwarz
Sound Design: Janis Ahnert
Sound Mixing: Janis Ahnert
Art Design: Hedy Michaels, Nadine Nebel